Sight reading: 23, tempo, a-flat.
Passepied: pedal for one harmony.
Harmony pedal
Top melody
Left hand 弹性
Monday, December 30, 2013
Thursday, September 12, 2013
9-12-2013
Hanon 26: raise finger 3. RH thumb 不要掉到key外，否则会局部紧张。
D flat major.
Czerny 100: piano tone quality, curve finger. ff 瞬间变化。快速要结合手腕手臂。LH strong-weak-weak
Sight reading: 32, rhythm change.
Waltz: elbow. 声音要婉转圆滑。5连音指尖要抓住key.
Sonata 2nd mv: 尾音。2 notes slur的语气。LH melody的进行感。
D flat major.
Czerny 100: piano tone quality, curve finger. ff 瞬间变化。快速要结合手腕手臂。LH strong-weak-weak
Sight reading: 32, rhythm change.
Waltz: elbow. 声音要婉转圆滑。5连音指尖要抓住key.
Sonata 2nd mv: 尾音。2 notes slur的语气。LH melody的进行感。
Thursday, September 5, 2013
9-5-2013
Hanon 26: LH finger 1 need curve. Pinkie 要立起来。重音不能只是accent,手臂要放松。tempo 120.
Scale: 快速手指再低些。c minor.
Chord 提速。
Sight reading 23: 切分音，2-notes slur.
Czerny 95: LH 节奏不够舞蹈的感觉，first beat 可以加pedal让声音更圆润。
Next week 100. D flat major scale, arpeggio, chord. Next book 849.
Sonata 2nd mv: page 2 last 2 line wrong notes, 语气尾音。harmony, 音乐的张力表现有进步。要注意rest. Try to memorize.
Waltz: forte 触键要深些，保持8个小节的力度。page 2 line 2 渐强多些，更光彩照人。grace note 要更灵巧轻快。
Scale: 快速手指再低些。c minor.
Chord 提速。
Sight reading 23: 切分音，2-notes slur.
Czerny 95: LH 节奏不够舞蹈的感觉，first beat 可以加pedal让声音更圆润。
Next week 100. D flat major scale, arpeggio, chord. Next book 849.
Sonata 2nd mv: page 2 last 2 line wrong notes, 语气尾音。harmony, 音乐的张力表现有进步。要注意rest. Try to memorize.
Waltz: forte 触键要深些，保持8个小节的力度。page 2 line 2 渐强多些，更光彩照人。grace note 要更灵巧轻快。
Thursday, August 29, 2013
8-29-2013
Hanon 25: finger 3 要提起来。
A-flat major scale. 下行指法B flat 换4指，E flat 用3指。
Need less finger work for scale. 手指贴键谈，轻盈。
Arpeggio + chord 练习，控制把位。
Sight reading: rest no need pedal. This week 17-24.
Czerny 93: LH need strong weak, 节奏感。piano part 要轻松些，大臂带动手腕。pass. New lesson 95.
Sonata 2nd mv.
Tempo Andante. Line 4 结尾出现的高音要有表现力。line 5-6, 注意左手根音的进行，no hold pinkie. Page 2- line 5, melody 的转音，要均匀流畅。p2 to p3 音乐的张力, 越来越紧，listen to the harmonies.
Waltz: grace notes 太拖泥带水，要更轻快。grace note 处不要用pedal. Grace note 的位置不要到前一拍。
A-flat major scale. 下行指法B flat 换4指，E flat 用3指。
Need less finger work for scale. 手指贴键谈，轻盈。
Arpeggio + chord 练习，控制把位。
Sight reading: rest no need pedal. This week 17-24.
Czerny 93: LH need strong weak, 节奏感。piano part 要轻松些，大臂带动手腕。pass. New lesson 95.
Sonata 2nd mv.
Tempo Andante. Line 4 结尾出现的高音要有表现力。line 5-6, 注意左手根音的进行，no hold pinkie. Page 2- line 5, melody 的转音，要均匀流畅。p2 to p3 音乐的张力, 越来越紧，listen to the harmonies.
Waltz: grace notes 太拖泥带水，要更轻快。grace note 处不要用pedal. Grace note 的位置不要到前一拍。
Monday, August 19, 2013
8-19-2013
Hanon 24: 慢速声音要松弛圆润些。new lesson 25.
Scale: E flat Major 下行B flat 换4指。
Arpeggio tone quality, no accent on thumb.
Theory: dominant 7th 构成是major 3rd+minor 3rd+minor 3rd.
Sight reading
Czerny 93: d flat, fingering, chord 练习 ti-re-mi-fa, so-ti-re-do. Start finger 2-3. LH staccato 跳跃。慢速练抓住key, tone quality. A flat major scale practise.
Sonata second movement.
Rhythm part 2 wrong notes fix, no g sharp, 分手练，pay attention to LH root note movement on 2nd page. RH target practice on 3rd page top part 大跨度的转音rotation.
Waltz: Chopin
音色的变化，弹得太小心翼翼。2nd page dynamics change 更饱满，line 5th forte arm rotation. LH beat 2,3 sometimes too strong. 3rd page ending LH beat 3 rest.
Scale: E flat Major 下行B flat 换4指。
Arpeggio tone quality, no accent on thumb.
Theory: dominant 7th 构成是major 3rd+minor 3rd+minor 3rd.
Sight reading
Czerny 93: d flat, fingering, chord 练习 ti-re-mi-fa, so-ti-re-do. Start finger 2-3. LH staccato 跳跃。慢速练抓住key, tone quality. A flat major scale practise.
Sonata second movement.
Rhythm part 2 wrong notes fix, no g sharp, 分手练，pay attention to LH root note movement on 2nd page. RH target practice on 3rd page top part 大跨度的转音rotation.
Waltz: Chopin
音色的变化，弹得太小心翼翼。2nd page dynamics change 更饱满，line 5th forte arm rotation. LH beat 2,3 sometimes too strong. 3rd page ending LH beat 3 rest.
Monday, August 12, 2013
8-12-2013
Hanon 24: 放松，4个音放松一次；第4拍大拇指轻些。
Scale: this week A flat major 结合Czerny. 慢速放松，力量反弹到手腕，不要压。
Sight reading: review book 6. Every day one piece.
Czerny 91: 上行top finger hold to keep music connected. 下行bottom finger hold to keep music connected. 注意前臂的放松。手腕不要太高，elbow 打开。top melody 要清晰。pass.
Waltz: pedal 不要总踩到底，可由浅到深，分层次感。forte 踩多些，piano 踩浅些。page 2 绚丽多彩, crescendo. Ending dimiscendo and retard. Measure 21-24 TP.
Sonata: trill 手腕前臂rotation, arm rotation, curve finger 以保证力量，防止太紧张用力，胳膊疼。balance, LH need quieter. This week second movement.
Scale: this week A flat major 结合Czerny. 慢速放松，力量反弹到手腕，不要压。
Sight reading: review book 6. Every day one piece.
Czerny 91: 上行top finger hold to keep music connected. 下行bottom finger hold to keep music connected. 注意前臂的放松。手腕不要太高，elbow 打开。top melody 要清晰。pass.
Waltz: pedal 不要总踩到底，可由浅到深，分层次感。forte 踩多些，piano 踩浅些。page 2 绚丽多彩, crescendo. Ending dimiscendo and retard. Measure 21-24 TP.
Sonata: trill 手腕前臂rotation, arm rotation, curve finger 以保证力量，防止太紧张用力，胳膊疼。balance, LH need quieter. This week second movement.
Monday, August 5, 2013
8-5-2013
Hanon 23: new lesson 24.
Scale g minor. Arpeggio
Sight reading: 71.
Czerny 87: finger 4 press harder, LH 跳音，rhythm, LH beat 2,3,5,6 softer. New lesson 91, fingering make sure.
Sonata: TP 双手要对齐。dominant 7th 太平淡。trill 漏音或不均匀。长trill左手不要渐慢。tempo 快而平稳，final tempo 138。LH 节奏重音。练习 80, 100.
Waltz: 低音base need stronger. Grace note 要灵巧些，fingering. May add pedal.
Concerto Bach
Scale g minor. Arpeggio
Sight reading: 71.
Czerny 87: finger 4 press harder, LH 跳音，rhythm, LH beat 2,3,5,6 softer. New lesson 91, fingering make sure.
Sonata: TP 双手要对齐。dominant 7th 太平淡。trill 漏音或不均匀。长trill左手不要渐慢。tempo 快而平稳，final tempo 138。LH 节奏重音。练习 80, 100.
Waltz: 低音base need stronger. Grace note 要灵巧些，fingering. May add pedal.
Concerto Bach
Monday, July 29, 2013
7-29-2013
Hanon 22: 慢速，finger 3、4 提起来；附点；快速。节奏感；
Scale: new g minor
Arpeggio : new g minor
Sight reading 66, 69-72
Czerny 87: accent on beat 4 need stronger, weak finger 4. LH strong-weak-weak. F major scale and arpeggio practice. Final tempo 3 beat=80. Staccato need shining.
Waltz: trill romantic 向上。节拍3note/ beat to 5 note/beat. Find music phrase.
Note smoothly connected.
Sonata: 开头主题要弹平均,自然纯朴。第二段LH quiet.
Scale: new g minor
Arpeggio : new g minor
Sight reading 66, 69-72
Czerny 87: accent on beat 4 need stronger, weak finger 4. LH strong-weak-weak. F major scale and arpeggio practice. Final tempo 3 beat=80. Staccato need shining.
Waltz: trill romantic 向上。节拍3note/ beat to 5 note/beat. Find music phrase.
Note smoothly connected.
Sonata: 开头主题要弹平均,自然纯朴。第二段LH quiet.
Monday, July 22, 2013
7-22-2013
哈农：22 try tempo 120, emphasize first and third only.
Scale d minor, LH black key need same clear tone quality. More practice on descending part.
Arpeggio 有进步。
Sight reading: 68,
Czerny
85: tempo 152 pass.
New 87.
Sonata:
一段尾不要渐慢太多，要真呼吸，从G Major transfer to minor, 不要抢拍。minor 音色更柔和些。2-3段转换melody 要更打动人。dynamics change, staccato no 渐弱。
Bach concerto
Scale d minor, LH black key need same clear tone quality. More practice on descending part.
Arpeggio 有进步。
Sight reading: 68,
Czerny
85: tempo 152 pass.
New 87.
Sonata:
一段尾不要渐慢太多，要真呼吸，从G Major transfer to minor, 不要抢拍。minor 音色更柔和些。2-3段转换melody 要更打动人。dynamics change, staccato no 渐弱。
Bach concerto
Monday, July 15, 2013
7-15-2013
哈农 21：手腕尽量保持平稳，靠手指的力量，声音不要太紧。快速时手指的动作幅度再小些可以弹得更快。快速力量在指尖，手臂手腕不应觉得累。慢速每个手指提起，手腕不要帮忙。next 22. LH only practice is suggested.
Scale d minor. Fingering, accidental. No pass.
Arpeggio: ok.
Sight reading:64, musical, be careful no accent, 组织句子。
Bach invention 4
Great. Pass.
Czerny 85:
Main melody on LH. 开头轻巧，然后more positive, 之后回到轻巧。RH rotate need practice, very evenly, no accent on thumb. Final tempo 138-152.
Sonata:
两手同时要对齐。
Concerto by Bach
Bach 中所有的8th note 要弹半连半跳。emphasize melody, sometime on left hand.
Scale d minor. Fingering, accidental. No pass.
Arpeggio: ok.
Sight reading:64, musical, be careful no accent, 组织句子。
Bach invention 4
Great. Pass.
Czerny 85:
Main melody on LH. 开头轻巧，然后more positive, 之后回到轻巧。RH rotate need practice, very evenly, no accent on thumb. Final tempo 138-152.
Sonata:
两手同时要对齐。
Concerto by Bach
Bach 中所有的8th note 要弹半连半跳。emphasize melody, sometime on left hand.
Monday, July 8, 2013
7-8-2013
哈农：LH 下行2nd beat不可含糊。need separate left hand practice.
Start part 2. Slow tempo, 4 kinds of 附点。
Scale arpeggio: 不要press down wrist, relax wrist, finger up independently. 快速手指要勾住，不要趴小。This week d minor, harmonic and melodic.
Sight reading: 60, 61-64
车尔尼84：
长句子多些arm rotation. Accent 后的跳音要短。ending 4 measure keep ff. pass.
This week 85 手腕要灵活，右手不可虚掉。
Bach invention
4: music 进行感不错， several wrong notes, 7th, not 8th. 看谱要仔细。diminished 7th, similar to Major 6th. Trill need 更均匀。tempo 3 beat=66.
Mozart sonata:
Try to memorize. 弹均匀，不要有accent. Trill 要更灵巧有节奏感。harmony, dominant 7th 要加强。一般dominant 7th is followed by tonic , go home.
Concerto: no time
Start part 2. Slow tempo, 4 kinds of 附点。
Scale arpeggio: 不要press down wrist, relax wrist, finger up independently. 快速手指要勾住，不要趴小。This week d minor, harmonic and melodic.
Sight reading: 60, 61-64
车尔尼84：
长句子多些arm rotation. Accent 后的跳音要短。ending 4 measure keep ff. pass.
This week 85 手腕要灵活，右手不可虚掉。
Bach invention
4: music 进行感不错， several wrong notes, 7th, not 8th. 看谱要仔细。diminished 7th, similar to Major 6th. Trill need 更均匀。tempo 3 beat=66.
Mozart sonata:
Try to memorize. 弹均匀，不要有accent. Trill 要更灵巧有节奏感。harmony, dominant 7th 要加强。一般dominant 7th is followed by tonic , go home.
Concerto: no time
Monday, June 24, 2013
6-24-2013
哈农：emphasize first beat, control thumb. 节奏感。lesson 11-20 连着练。
F Major scale and apagio.
Sight reading: 56, 57-60.
车尔尼84: 练chord,声音要更松弛，手臂放松。大拇指的掏指hiding, 下行elbow和手腕的转动.
Bach 二部曲4：
Motif: imitation: baroque style trill :
Sonata: trill practice with metronome. Melody 出来， 左手要轻。
F Major scale and apagio.
Sight reading: 56, 57-60.
车尔尼84: 练chord,声音要更松弛，手臂放松。大拇指的掏指hiding, 下行elbow和手腕的转动.
Bach 二部曲4：
Motif: imitation: baroque style trill :
Sonata: trill practice with metronome. Melody 出来， 左手要轻。
Monday, June 17, 2013
6-17-2013
哈农：附点练习，一长三短，下行三短一长。total 4 types. Left hand only.
Scale: fingering. This week F Major.
琶音：one beat one note, then one beat two notes, three notes, four notes.
Sight reading: 50, two piece a day. Review from piece one.
Czerny 599
81: 结尾不要太weak. Practice on finger 4,5 more 10 more times. Pass, New lesson 84琶音, 熟悉把位，可以先练chord. Thumb 掏指要快，1-2-3-1。
Sonata
音阶进行不要象弹scale,16th 再轻快些, 不要在这里加快速度。chord top melody more clear. 左手的16th,即轻又要有节奏感。不要在第一段结尾变慢。C Major - G Major (part 1)- g minor (part 2)- F Major . 调性的变化。
Scale: fingering. This week F Major.
琶音：one beat one note, then one beat two notes, three notes, four notes.
Sight reading: 50, two piece a day. Review from piece one.
Czerny 599
81: 结尾不要太weak. Practice on finger 4,5 more 10 more times. Pass, New lesson 84琶音, 熟悉把位，可以先练chord. Thumb 掏指要快，1-2-3-1。
Sonata
音阶进行不要象弹scale,16th 再轻快些, 不要在这里加快速度。chord top melody more clear. 左手的16th,即轻又要有节奏感。不要在第一段结尾变慢。C Major - G Major (part 1)- g minor (part 2)- F Major . 调性的变化。
Monday, June 10, 2013
6-10-2013
哈农 18：LH要单独练习5 times more.
Scale: 慢速，手指独立提起，练习触键。harmonic, melodic a minor 一起练。
Sight reading: 48, singing out, count the beat. 49-52
车尔尼 79
Trill LH 会不稳定。最后一句声音要突然变弱，注意dynamics change。结尾不要变慢。开头LH轻些，melody更清晰好听。pass.
New lesson 81. Next 849.
Sonata:
颤音的处理。try to make a music shape. 头音的pinkie多些。final tempo 132. 慢速，分手练。
Scale: 慢速，手指独立提起，练习触键。harmonic, melodic a minor 一起练。
Sight reading: 48, singing out, count the beat. 49-52
车尔尼 79
Trill LH 会不稳定。最后一句声音要突然变弱，注意dynamics change。结尾不要变慢。开头LH轻些，melody更清晰好听。pass.
New lesson 81. Next 849.
Sonata:
颤音的处理。try to make a music shape. 头音的pinkie多些。final tempo 132. 慢速，分手练。
Saturday, May 25, 2013
Monday, May 13, 2013
5-13-2013
April: Keep going, 不要补丁。尾音要再轻些。
March: melody top pinkie. 多练习慢速。注意呼吸。two notes slur second note softer.
哈农：
17：LH fingering use finger 2-4, not 3-4.
18: two much fingers,用手臂带动手腕，手腕带动手指，让声音连贯起来。大拇指keep softer.
Scale: C M pass. This week A minor, harmonic & natrual.
Arpeggio: CM pass.
Sight reading: 46. Singing out count the beat. Practice three times. Review 45-48.
March: melody top pinkie. 多练习慢速。注意呼吸。two notes slur second note softer.
哈农：
17：LH fingering use finger 2-4, not 3-4.
18: two much fingers,用手臂带动手腕，手腕带动手指，让声音连贯起来。大拇指keep softer.
Scale: C M pass. This week A minor, harmonic & natrual.
Arpeggio: CM pass.
Sight reading: 46. Singing out count the beat. Practice three times. Review 45-48.
Monday, May 6, 2013
5-6-2013
哈农17: 快速连续三遍。this week 17,18.
C M scale. Fingering. Arpagio 语气
Sight reading 48, 不够musical.
Theory 移调练习
April: 适当加浅踩pedal。LH wrong notes.
Marching duet:
C M scale. Fingering. Arpagio 语气
Sight reading 48, 不够musical.
Theory 移调练习
April: 适当加浅踩pedal。LH wrong notes.
Marching duet:
Monday, April 29, 2013
4-29-2013
哈农16:下行每个小节后面的音要轻巧些。next week 17.
CM scale fingering.
Sight reading: 43, 45-48
April: piu means more. P2 line 4 take your time, open elbow，声音要更亮。TP no wrong key.
Sonata : 呈示部，发展部，再现部。主部的主题，附部的主题。句子尾音.
CM scale fingering.
Sight reading: 43, 45-48
April: piu means more. P2 line 4 take your time, open elbow，声音要更亮。TP no wrong key.
Sonata : 呈示部，发展部，再现部。主部的主题，附部的主题。句子尾音.
Monday, April 22, 2013
4-22-2013
哈农15：一首反复连续弹三遍。从头中间累时可以放慢速度缓冲一下再继续. This week 16.
Scale Bb Major, add C Major.
分解和弦 thumb 要弹不要压。
Sight reading: 41-44. Review old piece.
Theory: second inversion 4 6, write 4 at bottom. 平行关系大小调parallel，相关关系大小调relative: minor 3rd。列出所有相关大小调。p63-70.
April: long phrase 有进步。First phrase 要均匀，尾音softer 才可打动人。开头左手的强弱变化。accent 音elbow open, 把声音传出去。re-fa-mi, three voicing, re 要清晰， emphasize fa, softer mi 手腕的落提. 慢速分声部练习帮助学习控制力度。
军队进行曲：f-p瞬间力量的变化，慢速TP. 声音要natural, 不要用力过猛。repeat 只弹2nd box.
Scale Bb Major, add C Major.
分解和弦 thumb 要弹不要压。
Sight reading: 41-44. Review old piece.
Theory: second inversion 4 6, write 4 at bottom. 平行关系大小调parallel，相关关系大小调relative: minor 3rd。列出所有相关大小调。p63-70.
April: long phrase 有进步。First phrase 要均匀，尾音softer 才可打动人。开头左手的强弱变化。accent 音elbow open, 把声音传出去。re-fa-mi, three voicing, re 要清晰， emphasize fa, softer mi 手腕的落提. 慢速分声部练习帮助学习控制力度。
军队进行曲：f-p瞬间力量的变化，慢速TP. 声音要natural, 不要用力过猛。repeat 只弹2nd box.
Monday, April 8, 2013
4-8-2013
哈农14：身体放松，8个音一组，不是4个。pass
Scale 下行，左手4指漏音。分手。metronome, tempo 分更细。
不要摁，是靠手指提起的力量。
Sight reading: 29, singing out.
April: body relax. LH melody 层次，不要太平淡, long phrase singing out。右手16分音符音色crescendo，慢速练，finger 4 too weak. 谱子上accent的地方要注意。
军队进行曲
每个accent都要relax, 肩膀。trio 注意rhythm. 注意呼吸。
Scale 下行，左手4指漏音。分手。metronome, tempo 分更细。
不要摁，是靠手指提起的力量。
Sight reading: 29, singing out.
April: body relax. LH melody 层次，不要太平淡, long phrase singing out。右手16分音符音色crescendo，慢速练，finger 4 too weak. 谱子上accent的地方要注意。
军队进行曲
每个accent都要relax, 肩膀。trio 注意rhythm. 注意呼吸。
Monday, March 25, 2013
3-25-2013
哈农：13 need more practice
车尔尼 75:
32分音符要很短促。大拇指要更轻。结尾fingering 3-1-2, 轻盈流畅。melody 更优美歌唱。tempo 120.
April: 开头左手不清楚。melody 拖不住，melody 不要断。keep the same tempo。fingering figure out. 错音改正
车尔尼 75:
32分音符要很短促。大拇指要更轻。结尾fingering 3-1-2, 轻盈流畅。melody 更优美歌唱。tempo 120.
April: 开头左手不清楚。melody 拖不住，melody 不要断。keep the same tempo。fingering figure out. 错音改正
Monday, March 18, 2013
3-18-2013
哈农 12：提指。pass. This week 13.
B flat Major Scale 快速 120。琶音右手单独练5遍，weak finger 4.
Theory: dominant 7th
车尔尼 71：LH 伴奏，LH softer. RH 更突出， press harder, singing style. 句子尾音要更soft. Pass.
New lesson 75. 复附点。grace note 32分音符。trill 4 notes, if note A trill, Classical 7676, romantic 6767.
Sonata:
错音。节奏要对齐。左手pinkie no hold. 统一trill的style.
四月：memorize. LH memorize try to use top note harmony.
B flat Major Scale 快速 120。琶音右手单独练5遍，weak finger 4.
Theory: dominant 7th
车尔尼 71：LH 伴奏，LH softer. RH 更突出， press harder, singing style. 句子尾音要更soft. Pass.
New lesson 75. 复附点。grace note 32分音符。trill 4 notes, if note A trill, Classical 7676, romantic 6767.
Sonata:
错音。节奏要对齐。左手pinkie no hold. 统一trill的style.
四月：memorize. LH memorize try to use top note harmony.
Monday, March 11, 2013
3-11-2013
哈农12: 慢速finger 3 单独提起。LH only. LH前半部finger 4 要站直，不要倒下去。finger 3-4-5-3的进行。
B Major Scale: 慢速每个手指都要提起。3，4手指的独立性，每个音弹完手腕都要放松，做stretch练习。
分解弹均匀。
车尔尼 68: pass. New lesson
Sonatina: pass.
四月：最后三个measure 拍子要数仔细。melody 要着重突出，main melody （top note) 要突出。1-5指要及早换，更smoothly： 同音换指。
B Major Scale: 慢速每个手指都要提起。3，4手指的独立性，每个音弹完手腕都要放松，做stretch练习。
分解弹均匀。
车尔尼 68: pass. New lesson
Sonatina: pass.
四月：最后三个measure 拍子要数仔细。melody 要着重突出，main melody （top note) 要突出。1-5指要及早换，更smoothly： 同音换指。
Monday, March 4, 2013
3-4-2013
哈农12：5指触键位置，指尖，快速要抓住键。左手rotation，要放松。
Sight reading 25-28 memorize
车尔尼68:
用上手腕手臂，down up motion. 每次staccato都是放松的机会。突强，elbow要打开。
Sonatina:版本
四月：错音
Sight reading 25-28 memorize
车尔尼68:
用上手腕手臂，down up motion. 每次staccato都是放松的机会。突强，elbow要打开。
Sonatina:版本
四月：错音
Monday, February 25, 2013
Fwd: 2013-2-25
> 哈农 12： 保证每天5遍。基本功。
> B flat major scale. 慢速，手指要提起来，不要用手腕压，手指触键时手腕要马上放松。继续练习
>
> 四月；melody right hand no accent. Make long phrase. 左右手melody的交替要让听众察觉不到换手。多分手练，注意分辨melody.
> Second page: 欢快，律动感。
> Extra homework: 分析chord. Tonic, dominant 7th first inversion, diminished 7th.
>
> Theory: double check on piano keyboard.
>
> Sonatina: measure 7, 2 note slur 手腕提起后要真正的放松。left hand need breathe. Second page left hand too loud, pay attention to balance. Rhythm.
>
> 车尔尼 68：accent need more power, pinkie much louder, open elbow. Left hand 2,3 beat should be softer, not too noisy, strong-weak-weak. Right hand tone should be bright, not blur.
> B flat major scale. 慢速，手指要提起来，不要用手腕压，手指触键时手腕要马上放松。继续练习
>
> 四月；melody right hand no accent. Make long phrase. 左右手melody的交替要让听众察觉不到换手。多分手练，注意分辨melody.
> Second page: 欢快，律动感。
> Extra homework: 分析chord. Tonic, dominant 7th first inversion, diminished 7th.
>
> Theory: double check on piano keyboard.
>
> Sonatina: measure 7, 2 note slur 手腕提起后要真正的放松。left hand need breathe. Second page left hand too loud, pay attention to balance. Rhythm.
>
> 车尔尼 68：accent need more power, pinkie much louder, open elbow. Left hand 2,3 beat should be softer, not too noisy, strong-weak-weak. Right hand tone should be bright, not blur.
Monday, February 4, 2013
2-4-2013
Sonatina:
Tempo 132. 尾音too loud. Scale 更流畅，从p开始，有变化。大拇指softer. LH gradually louder, not too sudden, ff keep power. not staccato. F-p, LH need softer too. LH melody. 5组要有变化。too hands harmony.
安静到serious的变化，suspection 吸引人的注意力。part 1 end no slow down.
Part 2, start soft, 对比变化，top finger. 富于戏剧性，只强调头音，减弱不要太早。呼吸时间长，relax.
开头TP。
Sweet dreams: cello voice, contrast.
不要一个个音敲，use body weight， long phrase.
March: trill no hesitate. Slow practice.
Tempo 132. 尾音too loud. Scale 更流畅，从p开始，有变化。大拇指softer. LH gradually louder, not too sudden, ff keep power. not staccato. F-p, LH need softer too. LH melody. 5组要有变化。too hands harmony.
安静到serious的变化，suspection 吸引人的注意力。part 1 end no slow down.
Part 2, start soft, 对比变化，top finger. 富于戏剧性，只强调头音，减弱不要太早。呼吸时间长，relax.
开头TP。
Sweet dreams: cello voice, contrast.
不要一个个音敲，use body weight， long phrase.
March: trill no hesitate. Slow practice.
Monday, January 28, 2013
1-28-2012
Sonatina:
Tempo 前后有些拖。try 120. Control music expression. 开头练习10遍以上，tempo和音乐的进行感。
first-second page LH 旋律进行。从f到p呼吸. First part ending staccato 手腕要轻松。measure 36 TP.
Part 2 轻快。staccato要放松。双音突出top finger. Recap 前呼吸。
Recap: ff use body pressure. 渐强both hand, chord pinkie tone clear and strong. 结尾左手的melody要表现出来，融合右手音阶的跑动。
Sweet dreams:
Second part cello voice come out more rich.
16th shorter. 一段的两个大句及三段的，作出一些变化。note before 16th need more expression. 中声部hold住。
March: 左手melody没写legato的地方弹作半连半跳。
Tempo 前后有些拖。try 120. Control music expression. 开头练习10遍以上，tempo和音乐的进行感。
first-second page LH 旋律进行。从f到p呼吸. First part ending staccato 手腕要轻松。measure 36 TP.
Part 2 轻快。staccato要放松。双音突出top finger. Recap 前呼吸。
Recap: ff use body pressure. 渐强both hand, chord pinkie tone clear and strong. 结尾左手的melody要表现出来，融合右手音阶的跑动。
Sweet dreams:
Second part cello voice come out more rich.
16th shorter. 一段的两个大句及三段的，作出一些变化。note before 16th need more expression. 中声部hold住。
March: 左手melody没写legato的地方弹作半连半跳。
Monday, January 7, 2013
1-7-2013
Sweet dreams: 速度不能太慢， music flowing。measure 8 control 中声部，LH hold F。measure 23 错音。measure 32 三个声部。LH chord hold half note. 结尾LH chord 整齐。
Bach: tempo 112. Measure 3 don't get softer, arm rotation to let 声音更宽广。 Measure 8,9 same keep strong. 练习tempo 60. 难点是双音6th interval要弹清楚。
Sonatina.
开头就要有energy,不能刮音。pinkie no hold. Two notes slur second note softer, more feeling,先练一个音，thumb softer. Part I end staccato. Part II start control. TP measure 72, fingering. 3-note chord emphasize top, bottom, middle the softest.
Bach: tempo 112. Measure 3 don't get softer, arm rotation to let 声音更宽广。 Measure 8,9 same keep strong. 练习tempo 60. 难点是双音6th interval要弹清楚。
Sonatina.
开头就要有energy,不能刮音。pinkie no hold. Two notes slur second note softer, more feeling,先练一个音，thumb softer. Part I end staccato. Part II start control. TP measure 72, fingering. 3-note chord emphasize top, bottom, middle the softest.
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