1/23/2014 Jonathan Piano
Debussy
Melody unbalanced, do not forget pedal
First 4 left 进行感
right hand start not too strong
5-6 right hand not legato
More pedal on half notes
1-2-4 1-3-1 1-3-2 中声部 weaker
2-3-2 2-4-3 ( f sharp) melody not very clear, try use 5 not 4th finger
2-4-3 contrast
Triplets more balance
3-4-3 contrast
4-3-1 technical target practice, start with slow
Fingering
Practice Top melody only, Other fingers on keys, Wrist need relax, 抖开
4-5 stronger, to be contrast with page 5
5-1. All notes and emphasis right hands melody and keep melody going, long phrase, no break phrase
Low but crystal clear notes
5-5 homony
6-2 do not slow down too earlier, keep melody going
6-3-1/2 start slowing gradually
7-5-3. Left hand calling back to right hand
8-3 8-4 left hand melody need to be heard
8-5
left pedal
Right pedal very light
Tone quality, hit quick and clear
Invention 13
Memorize left hand alone
Ending left hand separate practice, Spegate
4 sequence, do not weaker too much, not from 2nd measure
Sunday, February 2, 2014
1-25-2014 Piano recital
1-25-2014 Piano recital
Duet 1
Tempo more lively
Annabel's 1st note more rotation, not hitting as hammer
Duet 2
2nd page Annabel rotation elbow open more widely
Annabel
End of 1st page and beginning of 2nd page
Left hand not wreaking
Hold right hand melody
Jonathan passpied
3rd page - 4th page contrast to give surprise. Lower
5th page
Prepare the emotion change
Special homony .....
Soft pedal prepare earlier
Jonathan invention 13
1-4
Left half spegate
Sequence too weak at the end
3-2
Left hand need to be more clear
Hold tempo, not going faster and faster
Duet 1
Tempo more lively
Annabel's 1st note more rotation, not hitting as hammer
Duet 2
2nd page Annabel rotation elbow open more widely
Annabel
End of 1st page and beginning of 2nd page
Left hand not wreaking
Hold right hand melody
Jonathan passpied
3rd page - 4th page contrast to give surprise. Lower
5th page
Prepare the emotion change
Special homony .....
Soft pedal prepare earlier
Jonathan invention 13
1-4
Left half spegate
Sequence too weak at the end
3-2
Left hand need to be more clear
Hold tempo, not going faster and faster
1-30-2014 Jonathan Piano
1-30-2014 Jonathan Piano
Duet
Annabel. Less accessent on
Count triplets in advance
2-1-1 Ti-la la softer than Ti, singing
Last measure, Jonathan: last 2nd note slower a little bit
Annabel's farewell
2 mistakes
Singing 2 parts before start
Last 6 notes crescent a little bit more
Left hands do not speed up
60-70-80->...->138. Left hand do not speed up
Jonathan's Passpied
Left hand First 4 measures, melody
Do not miss any notes on left hand, pinkie
Page 5 mood changing
Page 6, not only crescent and decreasent, need change color @ 2->3 line
Left hand do not speed up
No rush, extend measures at
Page 7 gold homony could extend measure
La------so (soft)
Last 2nd note, a little quicker linked on left hand
Jonathan's Invention
Sent from my iPad
Duet
Annabel. Less accessent on
Count triplets in advance
2-1-1 Ti-la la softer than Ti, singing
Last measure, Jonathan: last 2nd note slower a little bit
Annabel's farewell
2 mistakes
Singing 2 parts before start
Last 6 notes crescent a little bit more
Left hands do not speed up
60-70-80->...->138. Left hand do not speed up
Jonathan's Passpied
Left hand First 4 measures, melody
Do not miss any notes on left hand, pinkie
Page 5 mood changing
Page 6, not only crescent and decreasent, need change color @ 2->3 line
Left hand do not speed up
No rush, extend measures at
Page 7 gold homony could extend measure
La------so (soft)
Last 2nd note, a little quicker linked on left hand
Jonathan's Invention
Sent from my iPad
2-2-2014 Jonathan Piano
2-2-2014 Jonathan Piano
4-3-1. Keep practicing. Continue to going on during perform
2-3-3. 中声部 不要突出
3 page. Dynamic
4-1. Memorize
5-4-4. Should not fuzz
6-1 to 6-3. Focus on end, reserve energy and dynamic
7-4-4. Chord need to clear, Homony then high note
8-3-2 major 2nd, cannot miss any note
1-4-3. Surprise soft
2-1-2. Jump
2-4 left hand keep sepagate
3-4-4. Gradually louder, no accent, then much more soft, more dynamic change
4-1-4. Change emotion more
5-1 beautiful notes dream tone
5-2-4. Don't miss left hand F
5-3. Very softer but melody need be clear
6-3-3. Less right hand, very clear left hand, and no rush on left hand
6-4-3. Left hand do not miss 1st note and keep sepagate
7-2-1. Jump, less on 2nd group (7-1-4)
7-3-1. 7-2-4. Legato then sepagate
7-4-4. do not miss C sharp
7-5-3. Do not single note, 2 measures
8-2-3. Keep
Ending, 1 & 5 finger a little bit more
Left hand jump a little bit
Sent from my iPad
4-3-1. Keep practicing. Continue to going on during perform
2-3-3. 中声部 不要突出
3 page. Dynamic
4-1. Memorize
5-4-4. Should not fuzz
6-1 to 6-3. Focus on end, reserve energy and dynamic
7-4-4. Chord need to clear, Homony then high note
8-3-2 major 2nd, cannot miss any note
1-4-3. Surprise soft
2-1-2. Jump
2-4 left hand keep sepagate
3-4-4. Gradually louder, no accent, then much more soft, more dynamic change
4-1-4. Change emotion more
5-1 beautiful notes dream tone
5-2-4. Don't miss left hand F
5-3. Very softer but melody need be clear
6-3-3. Less right hand, very clear left hand, and no rush on left hand
6-4-3. Left hand do not miss 1st note and keep sepagate
7-2-1. Jump, less on 2nd group (7-1-4)
7-3-1. 7-2-4. Legato then sepagate
7-4-4. do not miss C sharp
7-5-3. Do not single note, 2 measures
8-2-3. Keep
Ending, 1 & 5 finger a little bit more
Left hand jump a little bit
Sent from my iPad
Monday, December 30, 2013
12-31-2013
Sight reading: 23, tempo, a-flat.
Passepied: pedal for one harmony.
Harmony pedal
Top melody
Left hand 弹性
Passepied: pedal for one harmony.
Harmony pedal
Top melody
Left hand 弹性
Thursday, September 12, 2013
9-12-2013
Hanon 26: raise finger 3. RH thumb 不要掉到key外,否则会局部紧张。
D flat major.
Czerny 100: piano tone quality, curve finger. ff 瞬间变化。快速要结合手腕手臂。LH strong-weak-weak
Sight reading: 32, rhythm change.
Waltz: elbow. 声音要婉转圆滑。5连音指尖要抓住key.
Sonata 2nd mv: 尾音。2 notes slur的语气。LH melody的进行感。
D flat major.
Czerny 100: piano tone quality, curve finger. ff 瞬间变化。快速要结合手腕手臂。LH strong-weak-weak
Sight reading: 32, rhythm change.
Waltz: elbow. 声音要婉转圆滑。5连音指尖要抓住key.
Sonata 2nd mv: 尾音。2 notes slur的语气。LH melody的进行感。
Thursday, September 5, 2013
9-5-2013
Hanon 26: LH finger 1 need curve. Pinkie 要立起来。重音不能只是accent,手臂要放松。tempo 120.
Scale: 快速手指再低些。c minor.
Chord 提速。
Sight reading 23: 切分音,2-notes slur.
Czerny 95: LH 节奏不够舞蹈的感觉,first beat 可以加pedal让声音更圆润。
Next week 100. D flat major scale, arpeggio, chord. Next book 849.
Sonata 2nd mv: page 2 last 2 line wrong notes, 语气尾音。harmony, 音乐的张力表现有进步。要注意rest. Try to memorize.
Waltz: forte 触键要深些,保持8个小节的力度。page 2 line 2 渐强多些,更光彩照人。grace note 要更灵巧轻快。
Scale: 快速手指再低些。c minor.
Chord 提速。
Sight reading 23: 切分音,2-notes slur.
Czerny 95: LH 节奏不够舞蹈的感觉,first beat 可以加pedal让声音更圆润。
Next week 100. D flat major scale, arpeggio, chord. Next book 849.
Sonata 2nd mv: page 2 last 2 line wrong notes, 语气尾音。harmony, 音乐的张力表现有进步。要注意rest. Try to memorize.
Waltz: forte 触键要深些,保持8个小节的力度。page 2 line 2 渐强多些,更光彩照人。grace note 要更灵巧轻快。
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