01/09/2014 Jonathan Piano

01/09/2014 Jonathan Piano

Left hand the 1st need emphasis, 2-3-4 need more bouncy, like violin
Right hand need hold volume for melody

Hold melody line strength

3rd page
Volume low but tune quality need to be clear
Top finger for chord

4 page 4th measure top pinkie need more practice and very clear
Much emphasis on top finger in melody chord, even on pp

5 page
Add Pedal on line 2
Line 4 measure 4

From page 5 to 6
Change pedal when b lat to b natural
Hand before feet

7 page
Line 4 to line 5
Stretch the notes a little and emphasis the melody note
Last line and beyond Emphasis the half note

Page 8
Top melody on right hand to be clear as ocean wave

Last chord need to be sharp

1/16/2014 Jonathan Piano

1/16/2014 Jonathan Piano

+ A minor skill, hominid and melodic

Sight reading
Melody on one hand
One hand spectate
1/16

Passpied
2/2 final effect
Sailor's dance from South French: need improve tempo
Padel
Half note: add a little panel
Triplets, less padel, only 2, not full measure
Chord first, then padel on 4-2-3, 4-3-3, 4-4-3
6- padel follow right hand, change padel, no hold full measure
6-4, half note, add padel
7-5-1/2 add padel for
8 left hand melody too. Together with right hand


Invention 13
Final Tempo: 104 lively

Sequence slowly dim
Polophonic, left hand need support as well as right hand and half spagate

Ending
Left hand sperate practice, half spagate
Emphasis the top note

1/23/2014 Jonathan Piano

1/23/2014 Jonathan Piano
Debussy
Melody unbalanced, do not forget pedal

First 4 left 进行感
right hand start not too strong
5-6 right hand not legato

More pedal on half notes
1-2-4 1-3-1 1-3-2 中声部 weaker

2-3-2 2-4-3 ( f sharp) melody not very clear, try use 5 not 4th finger
2-4-3 contrast
Triplets more balance

3-4-3 contrast

4-3-1 technical target practice, start with slow
Fingering
Practice Top melody only, Other fingers on keys, Wrist need relax, 抖开

4-5 stronger, to be contrast with page 5

5-1. All notes and emphasis right hands melody and keep melody going, long phrase, no break phrase
Low but crystal clear notes

5-5 homony

6-2 do not slow down too earlier, keep melody going
6-3-1/2 start slowing gradually

7-5-3. Left hand calling back to right hand

8-3 8-4 left hand melody need to be heard

8-5
left pedal
Right pedal very light
Tone quality, hit quick and clear

Invention 13
Memorize left hand alone
Ending left hand separate practice, Spegate

4 sequence, do not weaker too much, not from 2nd measure

1-25-2014 Piano recital

1-25-2014 Piano recital
Duet 1
Tempo more lively
Annabel's 1st note more rotation, not hitting as hammer
Duet 2
2nd page Annabel rotation elbow open more widely

Annabel
End of 1st page and beginning of 2nd page
Left hand not wreaking
Hold right hand melody

Jonathan passpied
3rd page - 4th page contrast to give surprise. Lower
5th page
Prepare the emotion change
Special homony .....
Soft pedal prepare earlier


Jonathan invention 13
1-4
Left half spegate
Sequence too weak at the end
3-2
Left hand need to be more clear
Hold tempo, not going faster and faster

1-30-2014 Jonathan Piano

1-30-2014 Jonathan Piano
Duet
Annabel. Less accessent on
Count triplets in advance
2-1-1 Ti-la la softer than Ti, singing
Last measure, Jonathan: last 2nd note slower a little bit

Annabel's farewell
2 mistakes
Singing 2 parts before start
Last 6 notes crescent a little bit more
Left hands do not speed up
60-70-80->...->138. Left hand do not speed up


Jonathan's Passpied
Left hand First 4 measures, melody
Do not miss any notes on left hand, pinkie

Page 5 mood changing

Page 6, not only crescent and decreasent, need change color @ 2->3 line
Left hand do not speed up
No rush, extend measures at

Page 7 gold homony could extend measure
La------so (soft)

Last 2nd note, a little quicker linked on left hand




Jonathan's Invention






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2-2-2014 Jonathan Piano

2-2-2014 Jonathan Piano

4-3-1. Keep practicing. Continue to going on during perform

2-3-3. 中声部 不要突出

3 page. Dynamic

4-1. Memorize

5-4-4. Should not fuzz

6-1 to 6-3. Focus on end, reserve energy and dynamic

7-4-4. Chord need to clear, Homony then high note

8-3-2 major 2nd, cannot miss any note


1-4-3. Surprise soft

2-1-2. Jump

2-4 left hand keep sepagate

3-4-4. Gradually louder, no accent, then much more soft, more dynamic change

4-1-4. Change emotion more

5-1 beautiful notes dream tone

5-2-4. Don't miss left hand F

5-3. Very softer but melody need be clear

6-3-3. Less right hand, very clear left hand, and no rush on left hand

6-4-3. Left hand do not miss 1st note and keep sepagate

7-2-1. Jump, less on 2nd group (7-1-4)

7-3-1. 7-2-4. Legato then sepagate

7-4-4. do not miss C sharp

7-5-3. Do not single note, 2 measures

8-2-3. Keep

Ending, 1 & 5 finger a little bit more


Left hand jump a little bit







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