哈农
Scale: B-flat Major match 车尔尼.
E-flat Major match Neapolitan song.
This week practice arpeggio.
47: LH target practice. Tempo 120.
Sight reading level 7 repeat
3, 5-8
Theory: Melodic minor. Scale mode.
车尔尼 13:
Melody note clear,emphasize first forth beat of a measure, 节奏感。指尖抓key.
结尾力度要更强，手臂要放松, 用上身体和手臂的重量，4指抓准。
video
Neapolitan Song
节奏不要弹反。fingering, 换指3-2。accent change to thumb. 4-3-2-3 fingering notes clear.
小鸟：long pedal. LH 再敏捷些。半减7和弦，half diminished 7th, m3+m3+M3.更拟人化，生动贴切。技术难点32th, 更敏捷。 Pay attention to accent 加强节奏感。
Thursday, July 3, 2014
Thursday, June 26, 2014
6-26-2014
哈农：
B-flat major, chord
d harmonic minor: left hand not clear. LH 2,3 need to 抓住key.
d melodic minor. This week continue practice.
47: second half LH wrong, LH & RH are 10th intervals, not 8th.
Sight reading: test. Pay attention to tempo. Review one more time. Try to memorize, improve tempo.
Theory: to page 16.
车尔尼 13: don't forget accent at first beat. Start line 5, LH need to keep staccato. Second page 4th line sudden accent emphasize. Ending 4 measures keep ff. rhythm two accents each measure not three. Ending LH fingering 1-2-4.
sonata: pathetic 2nd mv.
B-flat major, chord
d harmonic minor: left hand not clear. LH 2,3 need to 抓住key.
d melodic minor. This week continue practice.
47: second half LH wrong, LH & RH are 10th intervals, not 8th.
Sight reading: test. Pay attention to tempo. Review one more time. Try to memorize, improve tempo.
Theory: to page 16.
车尔尼 13: don't forget accent at first beat. Start line 5, LH need to keep staccato. Second page 4th line sudden accent emphasize. Ending 4 measures keep ff. rhythm two accents each measure not three. Ending LH fingering 1-2-4.
sonata: pathetic 2nd mv.
Sunday, February 2, 2014
01/09/2014 Jonathan Piano
01/09/2014 Jonathan Piano
Left hand the 1st need emphasis, 2-3-4 need more bouncy, like violin
Right hand need hold volume for melody
Hold melody line strength
3rd page
Volume low but tune quality need to be clear
Top finger for chord
4 page 4th measure top pinkie need more practice and very clear
Much emphasis on top finger in melody chord, even on pp
5 page
Add Pedal on line 2
Line 4 measure 4
From page 5 to 6
Change pedal when b lat to b natural
Hand before feet
7 page
Line 4 to line 5
Stretch the notes a little and emphasis the melody note
Last line and beyond Emphasis the half note
Page 8
Top melody on right hand to be clear as ocean wave
Last chord need to be sharp
Left hand the 1st need emphasis, 2-3-4 need more bouncy, like violin
Right hand need hold volume for melody
Hold melody line strength
3rd page
Volume low but tune quality need to be clear
Top finger for chord
4 page 4th measure top pinkie need more practice and very clear
Much emphasis on top finger in melody chord, even on pp
5 page
Add Pedal on line 2
Line 4 measure 4
From page 5 to 6
Change pedal when b lat to b natural
Hand before feet
7 page
Line 4 to line 5
Stretch the notes a little and emphasis the melody note
Last line and beyond Emphasis the half note
Page 8
Top melody on right hand to be clear as ocean wave
Last chord need to be sharp
1/16/2014 Jonathan Piano
1/16/2014 Jonathan Piano
+ A minor skill, hominid and melodic
Sight reading
Melody on one hand
One hand spectate
1/16
Passpied
2/2 final effect
Sailor's dance from South French: need improve tempo
Padel
Half note: add a little panel
Triplets, less padel, only 2, not full measure
Chord first, then padel on 4-2-3, 4-3-3, 4-4-3
6- padel follow right hand, change padel, no hold full measure
6-4, half note, add padel
7-5-1/2 add padel for
8 left hand melody too. Together with right hand
Invention 13
Final Tempo: 104 lively
Sequence slowly dim
Polophonic, left hand need support as well as right hand and half spagate
Ending
Left hand sperate practice, half spagate
Emphasis the top note
+ A minor skill, hominid and melodic
Sight reading
Melody on one hand
One hand spectate
1/16
Passpied
2/2 final effect
Sailor's dance from South French: need improve tempo
Padel
Half note: add a little panel
Triplets, less padel, only 2, not full measure
Chord first, then padel on 4-2-3, 4-3-3, 4-4-3
6- padel follow right hand, change padel, no hold full measure
6-4, half note, add padel
7-5-1/2 add padel for
8 left hand melody too. Together with right hand
Invention 13
Final Tempo: 104 lively
Sequence slowly dim
Polophonic, left hand need support as well as right hand and half spagate
Ending
Left hand sperate practice, half spagate
Emphasis the top note
1/23/2014 Jonathan Piano
1/23/2014 Jonathan Piano
Debussy
Melody unbalanced, do not forget pedal
First 4 left 进行感
right hand start not too strong
5-6 right hand not legato
More pedal on half notes
1-2-4 1-3-1 1-3-2 中声部 weaker
2-3-2 2-4-3 ( f sharp) melody not very clear, try use 5 not 4th finger
2-4-3 contrast
Triplets more balance
3-4-3 contrast
4-3-1 technical target practice, start with slow
Fingering
Practice Top melody only, Other fingers on keys, Wrist need relax, 抖开
4-5 stronger, to be contrast with page 5
5-1. All notes and emphasis right hands melody and keep melody going, long phrase, no break phrase
Low but crystal clear notes
5-5 homony
6-2 do not slow down too earlier, keep melody going
6-3-1/2 start slowing gradually
7-5-3. Left hand calling back to right hand
8-3 8-4 left hand melody need to be heard
8-5
left pedal
Right pedal very light
Tone quality, hit quick and clear
Invention 13
Memorize left hand alone
Ending left hand separate practice, Spegate
4 sequence, do not weaker too much, not from 2nd measure
Debussy
Melody unbalanced, do not forget pedal
First 4 left 进行感
right hand start not too strong
5-6 right hand not legato
More pedal on half notes
1-2-4 1-3-1 1-3-2 中声部 weaker
2-3-2 2-4-3 ( f sharp) melody not very clear, try use 5 not 4th finger
2-4-3 contrast
Triplets more balance
3-4-3 contrast
4-3-1 technical target practice, start with slow
Fingering
Practice Top melody only, Other fingers on keys, Wrist need relax, 抖开
4-5 stronger, to be contrast with page 5
5-1. All notes and emphasis right hands melody and keep melody going, long phrase, no break phrase
Low but crystal clear notes
5-5 homony
6-2 do not slow down too earlier, keep melody going
6-3-1/2 start slowing gradually
7-5-3. Left hand calling back to right hand
8-3 8-4 left hand melody need to be heard
8-5
left pedal
Right pedal very light
Tone quality, hit quick and clear
Invention 13
Memorize left hand alone
Ending left hand separate practice, Spegate
4 sequence, do not weaker too much, not from 2nd measure
1-25-2014 Piano recital
1-25-2014 Piano recital
Duet 1
Tempo more lively
Annabel's 1st note more rotation, not hitting as hammer
Duet 2
2nd page Annabel rotation elbow open more widely
Annabel
End of 1st page and beginning of 2nd page
Left hand not wreaking
Hold right hand melody
Jonathan passpied
3rd page - 4th page contrast to give surprise. Lower
5th page
Prepare the emotion change
Special homony .....
Soft pedal prepare earlier
Jonathan invention 13
1-4
Left half spegate
Sequence too weak at the end
3-2
Left hand need to be more clear
Hold tempo, not going faster and faster
Duet 1
Tempo more lively
Annabel's 1st note more rotation, not hitting as hammer
Duet 2
2nd page Annabel rotation elbow open more widely
Annabel
End of 1st page and beginning of 2nd page
Left hand not wreaking
Hold right hand melody
Jonathan passpied
3rd page - 4th page contrast to give surprise. Lower
5th page
Prepare the emotion change
Special homony .....
Soft pedal prepare earlier
Jonathan invention 13
1-4
Left half spegate
Sequence too weak at the end
3-2
Left hand need to be more clear
Hold tempo, not going faster and faster
1-30-2014 Jonathan Piano
1-30-2014 Jonathan Piano
Duet
Annabel. Less accessent on
Count triplets in advance
2-1-1 Ti-la la softer than Ti, singing
Last measure, Jonathan: last 2nd note slower a little bit
Annabel's farewell
2 mistakes
Singing 2 parts before start
Last 6 notes crescent a little bit more
Left hands do not speed up
60-70-80->...->138. Left hand do not speed up
Jonathan's Passpied
Left hand First 4 measures, melody
Do not miss any notes on left hand, pinkie
Page 5 mood changing
Page 6, not only crescent and decreasent, need change color @ 2->3 line
Left hand do not speed up
No rush, extend measures at
Page 7 gold homony could extend measure
La------so (soft)
Last 2nd note, a little quicker linked on left hand
Jonathan's Invention
Sent from my iPad
Duet
Annabel. Less accessent on
Count triplets in advance
2-1-1 Ti-la la softer than Ti, singing
Last measure, Jonathan: last 2nd note slower a little bit
Annabel's farewell
2 mistakes
Singing 2 parts before start
Last 6 notes crescent a little bit more
Left hands do not speed up
60-70-80->...->138. Left hand do not speed up
Jonathan's Passpied
Left hand First 4 measures, melody
Do not miss any notes on left hand, pinkie
Page 5 mood changing
Page 6, not only crescent and decreasent, need change color @ 2->3 line
Left hand do not speed up
No rush, extend measures at
Page 7 gold homony could extend measure
La------so (soft)
Last 2nd note, a little quicker linked on left hand
Jonathan's Invention
Sent from my iPad
2-2-2014 Jonathan Piano
2-2-2014 Jonathan Piano
4-3-1. Keep practicing. Continue to going on during perform
2-3-3. 中声部 不要突出
3 page. Dynamic
4-1. Memorize
5-4-4. Should not fuzz
6-1 to 6-3. Focus on end, reserve energy and dynamic
7-4-4. Chord need to clear, Homony then high note
8-3-2 major 2nd, cannot miss any note
1-4-3. Surprise soft
2-1-2. Jump
2-4 left hand keep sepagate
3-4-4. Gradually louder, no accent, then much more soft, more dynamic change
4-1-4. Change emotion more
5-1 beautiful notes dream tone
5-2-4. Don't miss left hand F
5-3. Very softer but melody need be clear
6-3-3. Less right hand, very clear left hand, and no rush on left hand
6-4-3. Left hand do not miss 1st note and keep sepagate
7-2-1. Jump, less on 2nd group (7-1-4)
7-3-1. 7-2-4. Legato then sepagate
7-4-4. do not miss C sharp
7-5-3. Do not single note, 2 measures
8-2-3. Keep
Ending, 1 & 5 finger a little bit more
Left hand jump a little bit
Sent from my iPad
4-3-1. Keep practicing. Continue to going on during perform
2-3-3. 中声部 不要突出
3 page. Dynamic
4-1. Memorize
5-4-4. Should not fuzz
6-1 to 6-3. Focus on end, reserve energy and dynamic
7-4-4. Chord need to clear, Homony then high note
8-3-2 major 2nd, cannot miss any note
1-4-3. Surprise soft
2-1-2. Jump
2-4 left hand keep sepagate
3-4-4. Gradually louder, no accent, then much more soft, more dynamic change
4-1-4. Change emotion more
5-1 beautiful notes dream tone
5-2-4. Don't miss left hand F
5-3. Very softer but melody need be clear
6-3-3. Less right hand, very clear left hand, and no rush on left hand
6-4-3. Left hand do not miss 1st note and keep sepagate
7-2-1. Jump, less on 2nd group (7-1-4)
7-3-1. 7-2-4. Legato then sepagate
7-4-4. do not miss C sharp
7-5-3. Do not single note, 2 measures
8-2-3. Keep
Ending, 1 & 5 finger a little bit more
Left hand jump a little bit
Sent from my iPad
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